Although it may sound like an odd coupling, the two have actually collaborated before, once on Ben’s solo album, Fear Of Pop, Volume 1, and when Ben repaid the favor by appearing in some of Shatner’s popular Priceline.com commercials. Earlier this year, when Shout! Factory executives Richard and Garson Foos approached Shatner with the idea of recording a new album, the actor casually mentioned that his friend Ben had been trying to get him to do the same thing. Everybody agreed and everybody signed on, and Shatner began writing. “These are thoughts and experiences of mine that very few people have heard before,” Shatner explains. “I wanted to share them with my loved ones.”

Shatner’s performances are stunning. His rendition of “That’s Me Trying” is downright heartbreaking, as he depicts an absent father’s desperate attempt at building a relationship with his daughter long after it’s too late. His own droll way with prose makes a splash on “Common People,” in what could be an ode to a certain girl with a famous last name. And the album’s title track is a playful romp -- a spaghetti western score with Shatner embracing the lyrics, “Has Been.”

Remarks Folds on the Has Been recording experience, “If I thought that there were heaps of artists who were willing to be as honest, vulnerable, creative and as trusting with their producer as William Shatner has been with me, I’d just be a producer.”

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Not only did Shatner’s lyrics surpass everyone’s expectations, but friends and fans were more than willing to be a part of the recordings. Folds brought in Aimee Mann, Brad Paisley (who wrote a song specifically for Shatner), and Grammy winners Joe Jackson and Henry Rollins to contribute vocals, while Adrian Belew adds guitars and the U.K. ambient duo Lemon Jelly weighs in on “Together.” Nearly the entire album was recorded at Folds’ Nashville studio, with Matt Chamberlain on drums (Tori Amos, Fiona Apple), Sebastian Steinberg on bass (Soul Coughing), Jon Auer on guitars (The Posies), Folds on piano and bass, and with Folds’ longtime engineers John Painter and Joe Costa manning the controls.

In 1968, Shatner released a spoken word album that was clearly ahead of its time. The Transformed Man was a collection of contemporary pop songs paired with excerpts from classic literature that were thematically alike. Written-off by many as “camp,” later generations grew to see his true poetic soul and delivery, and finally understood the conceptual goal of the album. Shatner reprised his musical beginnings with the series of commercials for Priceline.com several years ago, sparking renewed interest in his musical career and demonstrating his knack for never taking himself too seriously.

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